PERFORMANCEOfferings, 2024
Offerings, 2023
Offerings, 2022
ALAKKALA, 2019
H:O:M:E, 2018
Mokita, 2017
MOVING IMAGEUntitled 02, 2022
Untitled, 2022
INTERWORLD, 2021
smooth-time, 2020
Portal of Possibilities, 2020
A Utah Time Signature, 2019
Book of Dream, 2018
A Los Angeles Time Signature, 2018
An Arctic Time Signature, 2015
INSTALLATIONBurial, 2023
Murti, 2018
The Moving Image, 2017
PHOTOGRAPHYDiosma, 2020
Territory of Darkness, 2020
Werebodies, 2020
Pool Hall, 2017
Walking In My Shoes (Ondru), 2018
Yumarrala Ngulu (Ondru), 2018
They Are Climbing Mt Asgard, 2014
Discs, 2014
Distant, Relative, 2013
Voiceless Journeys (Ondru), 2012
Allery Exhibitions, 2008
DRAWINGS
Dry Yellow, 2020
Dry Red, 2020
Dry Blue, 2018-20
info@devikabilimoria.com
©2024 Devika Bilimoria Voiceless Journeys (Ondru), 2012
Sultana S.
My memories are all but stone.
Date: 29 October 2011
Location: Chadstone, Victoria, AUSTRALIAReyaz H.
I became a homeless person and ended up begging.
I was later detained. It was only then I knew I could apply for a protection visa.
Going through the application was traumatic. I spent eight months in detention. It was very hard.
There is the extreme fear of being sent back as well as the ambiguity of the future. In detention, I was threatened…assaulted.
Now I just feel that I am living somewhat. I want to study law and help people.
I used to be shy and quiet, but now I have become a fighter!
Date: 03 November 2011
Location: West Melbourne, Victoria, AUSTRALIA
ONDRU
101 Black and White portraits - photographers, Devika Bilimoria and Shane Lam
Voiceless Journeys is an attempt to build a sense of community with greater understanding of each other through the medium of art.
This is an art project that aims to celebrate the cultural diversity and raise awareness about the journey, struggle, survival and achievements of people from diverse backgrounds. The focus was on people who had left their countries as a result of internal problems or conflicts to make their life in Australia; people who positively shape our communities.
The Ondru team met with various refugee communities around Melbourne and photographed people creating a collection of 101 black and white portraits, alongside collected stories of each individual's experience, most of whom had never spoken a word about them to anyone ever.
The portraits were then enlarged and pasted around many community walls to bring faces and humanity to the conversations about immigration, asylum seekers and refugees.
For more info visit Voiceless Journeys.