DEVIKA BILIMORIA

PERFORMANCEOfferings, 2024
Offerings, 2023
Offerings, 2022
ALAKKALA, 2019
H:O:M:E, 2018
Mokita, 2017

MOVING IMAGEUntitled 02, 2022
Untitled, 2022
INTERWORLD, 2021
smooth-time, 2020
Portal of Possibilities, 2020
A Utah Time Signature, 2019
Book of Dream, 2018
A Los Angeles Time Signature, 2018
An Arctic Time Signature, 2015

INSTALLATIONBurial, 2023
Murti, 2018
The Moving Image, 2017

PHOTOGRAPHYDiosma, 2020
Territory of Darkness, 2020
Werebodies, 2020
Pool Hall, 2017
Walking In My Shoes (Ondru), 2018
Yumarrala Ngulu (Ondru), 2018
They Are Climbing Mt Asgard, 2014
Discs, 2014
Distant, Relative, 2013
Voiceless Journeys (Ondru), 2012
Allery Exhibitions, 2008

DRAWINGS Dry Yellow, 2020
Dry Red, 2020
Dry Blue, 2018-20


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©2024 Devika Bilimoria

INTERWORLD, 2021






Duration 18’30”
HD Video, Colour, Stereo
Sound - Amias Hanley 
Movement-  Devika Bilimoria
Video - Devika and Amias
Brunswick Mechanics Institute: creative development residency

SUPPORTED BY NEXT WAVE and was presented as a part of TROC TALKS ONLINE with Trocadero Art Space.

This work in progress video piece endeavours to reveal the imbrication of human and machine expressions and rhythms, the sensation between skin and sound, proximity and distance. It aims to express the thickness and amplification of sensorial encounters through electromagnetic listening, and movement—bringing attention to a space in between—an INTERWORLD.

We draw on new materialist and queer theories, specifically those of Elizabeth Freeman, Sarah Ahmed, Stacy Alaimo and Astrida Neimanis, to inform our relationship to ‘the temporal frame of thick time—a transcorporeal stretching between present, future, and past’ (Neimanis and Lowen Walker), in order to interpret the space between our bodies, our digital devices and each other.






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