DEVIKA BILIMORIA

PERFORMANCEOfferings, 2024
Offerings, 2023
Offerings, 2022
ALAKKALA, 2019
H:O:M:E, 2018
Mokita, 2017

MOVING IMAGEUntitled 02, 2022
Untitled, 2022
INTERWORLD, 2021
smooth-time, 2020
Portal of Possibilities, 2020
A Utah Time Signature, 2019
Book of Dream, 2018
A Los Angeles Time Signature, 2018
An Arctic Time Signature, 2015

INSTALLATIONBurial, 2023
Murti, 2018
The Moving Image, 2017

PHOTOGRAPHYDiosma, 2020
Territory of Darkness, 2020
Werebodies, 2020
Pool Hall, 2017
Walking In My Shoes (Ondru), 2018
Yumarrala Ngulu (Ondru), 2018
They Are Climbing Mt Asgard, 2014
Discs, 2014
Distant, Relative, 2013
Voiceless Journeys (Ondru), 2012
Allery Exhibitions, 2008

DRAWINGS Dry Yellow, 2020
Dry Red, 2020
Dry Blue, 2018-20


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©2024 Devika Bilimoria

Pool Hall, 2017





Pigment Ink-jet Print on Canson Baryta Prestige
Framed in Dark Kiwi Timber by Fini Frames
211 x 120 cm
2015 FINALIST FOR THE BOWNESS PHOTOGRAPHY PRIZE
Available for purchase, delivery from Melbourne.
August 28th 2017
00:29:41
21.7 Celsius

Every other day his shirt is black.
New York City takes time away from you, and, to know.
Hovering five storeys above Chinatown’s industrious streets is a hidden pool hall. Synergistic in colour, brought to you by this man - the owner.

As pool was played, I observed the weight of his working body shift from two points, to three, to finally one sand-settled elongation upon the couch. I realised a living room.

While I was back in Melbourne, a friend in NYC obtained consent from the owner to use this image.
A few days later the pool hall closed down.




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